Afrikorps
by Bill Dolan
1991, Harper
Set in 2175, after the greenhouse effect ravaged the Earth in 2050. Select people lived generations in biodomes across the world while the survivors outside mutate and turn to savagery. In 2150, the Earth had healed enough for the biodomes to open and tame the wilderness with high technology and solar powered tanks, through mass slaughter and forcing people into reeducation camps. Captain Abe TC Creighton is drafted for a new mission - to stop African Marauders from invading Europe.
Some decent adventure through desert terrain. A little light on action, and since the Afrikorps outnumber and outgun their adversaries, you end up rooting for the Marauder underdogs for their cunning. Dips into horror with the savagery of the Marauders, led by an eyeball eating rapist.
The pacing was a bit off. It didn't feel padded, but it took half the book to get to Africa. It felt like the set up for a multi-book epic, but then hurriedly dispatched the main villains in the last few pages. There are other installments, but it looks to be more episodic.
And then there's the horrifically racist concept. The biodome survivors aren't necessarily valorized, we get the sense that their level of control is stifling, but they're clearly meant to be the good guys. Even when TC goes full Anakin and wipes out a village of women and children, he regains control at the end.
The general premise of African savages threatening to overrun civilized Europe in order to rape their women ain't great, and while Dolan might have thought to temper it by having a South African Afrikaner lead them, the theme is still the superiority of White civilization, even when they're evil.
The book conspicuously avoids mentioning race most of the time, which is odd considering most authors of the era felt compelled to mention a characters skin tone as often as possible if they weren't White. About the only time it is mentioned is to distinguish between a good albino tribe and a tribe of evil mutants who have devolved into primates. Not particularly subtle symbolism there, but nothing spoken directly like, say, the Turner Diaries.
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