Showing posts with label Horn. Show all posts
Showing posts with label Horn. Show all posts

Tuesday, September 20, 2022

Horn 4: Ultimate Weapon by Ben Sloane

Horn 4
Ultimate Weapon
by Ben Sloane (Stephen R. Cox)
1991 Gold Eagle / Worldwide Library



A black market engineer creates a droid body controlled by the brain and spinal column pulled from unwilling victims, planning to unleash them as unstoppable killing machines at the United Nations. Horn, his partner Winger, and their informant Dartt are on the case.

Very little action - the ending was wrapped up way to quickly with an EMP weapon. The setting felt like 1990 America but with high tech. Horn gets a bionic eye and an upgraded targeting system, and there's a theme that he fears this might make killing too easy and take away his humanity, which shows how much the series has softened since the first brutal installment.

Thursday, May 28, 2020

Horn 3: The Outland Strip by Ben Sloane

Horn 3
The Outland Strip
by Ben Sloane
1990, Gold Eagle



Zamora, the cartel heir from the last installment, needs to earn quick cash to get his uncle out of jail to reveal the hidden family billions.  He also wants to kill a prison snitch, who escaped an assassination attempt which kills an old cop days from retirement.  The snitch has taken off for the Outland Strip, a lunar gambling complex which is putting Las Vegas and Atlantic City out of business.  Zamora teams up with other mobbed up, terrestrial casino owners and kills two birds with a multi-million ton garbage scow filled with nuclear waste.

Horn is more guilt ridden than usual, as he dumped his informant transport assignment on his buddy.  Him and Winger head up to the moon, where they face bounty hunters on both sides of the law, those looking to kill the snitch and the others to earn the Federal bounty.

Slow to get started, and continues the mellowing tone since the first book, but gives some excellent action sequences near the end.  Of note is a firefight through a casino indoor shopping strip, making use of an indoor monorail, which checks a lot of boxes for me.

It didn't take advantage of the setting as much as it could, as Horn and Winger fiddle around alleys and such just like they did on Earth.  Sloane continues to tease a romance between Horn and the feisty assistant DA, but I don't think the series will last long enough for this to be a Sam/Diane thing.

Thursday, May 7, 2020

Horn 2: Blown Dead by Ben Sloane

Horn 2: Blown Dead
by Ben Sloane
1990, Gold Eagle



Max Horn is back on Earth and is coming to terms with his family's death, toning down from kill crazy genocidal cyborg to a mere cop who plays by his own rules.  He's got a new partner, which gives the book a buddy cop vibe.

The baddies this time around are using virtual reality to skim off bets for the Superbowl, only the hacker has a side deal to take the 200,000 member crowd hostage for drug cartels.

Relatively early in the virtual reality wave of the 90s, after Gibson and Sega, but before Lawnmower Man.  The first installment had jazz, this one has beat poetry, but the series doesn't commit to the late 50s the way Blade Runner did to the 40s.

Good cyborg fighting, but way too many pages for way too little action.  The first volume was unrelenting bleak, where this one feels like an Action Pack made for TV movie from the 90s, like Tek War.

Paperback from AbeBooks

Thursday, March 19, 2020

Horn 1: Hot Zone By Ben Sloane


Horn 1: Hot Zone
By Ben Sloane
1990 Gold Eagle


Max Horn is a detective in the New York City of 2025. He and his partner foil a robbery of some documents sought by evil corporate CEO of Titus Steel, Oasis Fine. Fine’s henchman Stellar kills Horn’s wife and daughter, leaving Horn conveniently left for dead. Horn gets an arm and knee blown off, but he replaces them with black market cybernetics called E-mods.

Seeking revenge, Horn applies for a transfer to the asteroid mining colony of New Pittsburgh, which for some reason is under the jurisdiction of NYPD. Between attempts on his life, Horn uncovers a plot to destroy the asteroid to drive up the price of titanium, killing the 15,000 residents in the process.

While there are occasionally surprisingly mature characters, the villains are especially absurd, and we get a lot of them. Every other chapter is Fine and Stellar sitting around an office yelling variations of “I want Horn taken care of…permanently!” For some reason Fine thinks it’s a good idea to spend weeks flying out to the asteroid and plan to fly back minutes before the whole place explodes.

In an odd scene Horn bangs Fine’s mother, who was set up as the real power of Titus Steel, but she gets written out pretty quick. Maybe Sloane’s saving her for later in the series, but we don’t even get any “yo mama” quips out of it.

The future world of 2025 is very Robocop. The rich are richer, the poor are poorer, cops are ineffective, criminality is rampant, and the corporations are a force unto themselves. Aside from E-mods and space ships, about the only other technological advancement is caseless ammunition in the conventional firearms everyone still uses.

Where the novel really shines is in its stark brutality. New York City is basically Robocop’s Detroit, but New Pittsburgh is where it really gets bleak. The prostitutes and drunken miners are the classy citizens. Suicidal drug addicts called Terminals work in the reactor, baking in radiation, only coming out periodically to buy drugs and gang rape women, who are driven mad from radiation sickness.

Horn fits right in, blowing off heads with his 9mm, slicing off noses with broken beer mugs, snapping necks with his robot arm, etc. While he shows some tenderness towards a witness he protects, meaning he bangs her, Horn is peculiarly insensitive to human suffering. When he discovers Fine’s plot to murder 15,000 people, his reaction is good, I’ll add that to his charges.

Horn focuses more on escaping with his gal pal and her kid than on saving the rest of the colony. At one point he murders several innocent workers while destroying an airlock to prevent Fine’s escape. To add insult, after he makes a romantic overture to the woman he saves, she tells him she doesn’t date cops, making the multi-week trip back to Earth especially awkward.

I don’t think I’ve ever come across a book that held such little regard for the dignity of human life. I’m definitely in for the next one.


Paperback from AbeBooks